MusikFest Weimar

Die Harmonielehre #3: Ein Ermordeter aus Warschau (nach dem SURVIVOR FROM WARSAW von Arnold Schönberg)

Uraufführung von Novoflot, Max Czollek (Libretto) und Michael Wertmüller (Komposition)

In Koproduktion mit dem Kunstfest Weimar, dem Musikfestival Bern, der Kölner Philharmonie / WDR Funkhaus und dem Theater im Delphi, Berlin.

Uraufführung: Kunstfest Weimar: 31. August und 01. September2024,

Musikfestival Bern: 04. und 05. September 2024,

WDR Funkhaus: 05. Oktober 2024,

Theater im Delphi: 01. - 03. November 2024

Mit Rosemary Hardy (Gesang), Noa Frenkel (Gesang), Ichi Go (Tanz, Gesang) und Max Czollek (Lecture).
Simon Stockhausen (Life-Elektronik), Jazz-Rock-Formation Johnny La Marama (Eric Schaefer-Drum, Chris Dahlgren-E-Bass, Peter Meyer-E-Gitarre), Ensemble DissonArt (Lenio Liatsou-Klavier, Theodoros Patsalidis-Violine, Andreas Papanikolaou-Violine, David Bogorad-Viola, Vassilis Saitis-Cello), Jacopo Salvatori (Klavier, Orgel)

Regie und Konzept: Sven Holm, Musikalische Leitung: Vicente Larrañaga, Ausstattung: Nina von Mechow, Video: Rebecca Riedel , Dramaturgie und Konzept: Malte Ubenauf, Management: Dörte Wolter, Produktionsleitung: Axel Lambrette und Rania Mavriki, Presse- und Öffentlichkeitsarbeit: k3 berlin.

The Theory of Harmony #2 – Opera Call

Academy of Arts at Pariser Platz, Berlin-

www.novoflot.de

FELDMAN 'Piano, Violin, Viola, Cello'

Elevsis Cultural Capital - IRIS

1st April, 21.00

dissonart ensemble is going to perform Feldman’s last epic work offering a deeply physical and meditative experience for its audience who will be free to lay down in yoga mats..

https://www.athinorama.gr/music/3013222/eleusina-2023-10-mousika-dromena-pou-den-prepei-na-xasete/?fbclid=IwAR1p51QQ0NRJ1HQWS_J2L9NCJlCi9D74gWt8TkF7_T0EuEzKrlR_9JutMts

OPERA #3 THE OUTTAKES - COPENHAGEN

20. / 21. August 2022
CPH Opera Festival (Østerbro-Stadion), Copenhagen

OPERA #3 THE OUTTAKES NOVOFLOT- BERLIN

In a final, the best athletes, scien­tists or artists compete against each other. At least that’s how it should be. But aren’t there often barely measurable nuances that make the difference? 
Thou­sandths of a second or extremely subjective taste buds of indi­vidual jury members that decide on fame and shame? 
Of course! And so it is no wonder that in the finale of the music theater trilogy “Die Oper #1–#3”, all attention is focused on the “outtakes” that did not make it to the finals. One can only vaguely guess how much material remains uncon­sidered when a film is cut, a book is edited or a piece of music is produced, and how much heart and soul goes into such processes. In the end, there is always the agonizing question of whether the right choice has really been made. This is how the pioneer of the opera genre, the composer Claudio Monteverdi (1567–1643), must have felt when he was final­izing his stage works. How exactly did it happen that countless arias, choruses, symphonies and recita­tives fell by the wayside? 
And in which sunken archives are these “outtakes” kept? There is inter­esting news about this, because there is much to suggest that they could resurface more than 350 years after the death of their creator in order to make their very own way onto the stages of this world. It is to begin in Weimar. And in a place where one would not expect to hear opera. There, deep in the west of the city, Novoflot is ready to receive the “outtakes” and to initiate the final rewriting of opera history together with them!

Antonis Anis­segos, Michael Wert­müller and Johnny La Marama (Chris Dahlgren, Kalle Kalima, Eric Schaefer)

With:
Raphael Clamer Actor
Rosemary Hardy Voice
Ichi Go Dance, Voice
Veronica Lepekha Rhythmic gymnastics
Falko Siewert Photographer

Ensemble DissonArt:
Jannis Anis­segos Flute
Alexandros Stavridis Clarinette
Lenio Liatsou Piano
Kostas Argy­ropoulos Percussion
Theodoros Patsa­lidis Violin
Vassilis Saitis Violoncello
Yiannis Chatzis Double bass

Johnny La Marama:
Kalle Kalima E-Guitar
Chris Dahlgren E-Bass
Eric Schaefer Drums

Antonis Anis­segos Keyboards
Hayden Chisholm Saxophon

Ulrich Holbein Texts

Source: https://novoflot.de/de/kalender/